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Bernie Guégan

Girl in sky
girl in sky 2020
Gorge
collage et acrylic 2019
Fusain sur papier 2019
Fusain sur papier 2019
EncreSurPapier
https://www.artclickireland.com/
WIN_20180208_14_07_44_Pro
Walk the Walk, Acrylic on Canvas, 2018
repose , oil on canvas, 2019
repose , oil on canvas, 2019
EMBRACE 2009
REPOSE 2009
The door is closed 2002
« Yes « and « The door id closed », pen on gesso on card , 2002, Bernie Laherty This work formed part of the Language is a Place exhibition in Kilkenny Courthouse, Kilkenny , Ireland 2003 and Divergence , in the Courthouse Gallery, Dungarvan , Co. Waterford, Ireland
Home series no.2 2002
« Home series « series of 5 Cibachrome prints , 2003 This body of work explores the notion of Home , the resonance left in an empty house of the lives that have passed through and the importance of having one’s own space . Exhibited at The Signal Arts Centre, Bray , Co. Wicklow 2003 and St. John’s Theatre and Gallery, Listowel , Co. Kilkenny
« There « , 2002, Thermoplasti and cotton. This work examines notions of intimacy and co-dependency is an element of my current work. The image of the belly is recurrent. It suggests emptiness/fullness, exposure/comfort, violence/tentativeness
Superbaby seated 1999
« Superbaby chained » photographic print of sculpture (ceramic, acrylic paint, silk ;12cms by 2.5cms) This work formed part of an exhibition which was the culmination of a residency in the Healing Arts Programme, in Waterford University Hospital, Ireland. The Healing Arts programme invites artists to engage with the hospital experience for the duration of a residency of 9 months. Laherty’s take on this was to create « Superbaby » , a series of sculptures which were placed in different positions around the hospital until he eventually finishes in A&E , where his suit was left hanging. The idea was to convey the desire for our loved ones to be invincible , which of course is not possible. The artist also created a series of photographic prints of the old hospital wards
Into the Blue 1998
into the Blue #1 and #2 formed part of a series of images I completed for my degree exhibition in 1998. The work is concerned with personal issues surrounding myself and my son, and my separation from him throughout the year at college. My focus was on the surface shared by mother and son, not only physical, but mental and emotional, and how space that can provide protection and strength can also become a site for manipulation if intruded upon. The work methods used involved the use of objects and images in relation to each other in order to define a space. The materials are ready-made, sometimes scattered by me, and reflect concerns with the perception of reality, pretence and deception.
Into the Blue no.1 1998
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